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The Beach Boys' Christmas Album

It might seem odd that a band that is so synonymous with California, sunshine and days spent waxing surfboards could successfully turn their hand to themes that take place at the other end of the meteorological scale. But, this is no ordinary band, this is the Beach Boys, a group of musicians that can be enjoyed all year round. Their transition from bermuda shorts to rudolf jumpers is seamless and 'The Beach Boys Christmas Album' displays all the nuances that made them so special in the first place.

'The Beach Boys Christmas Album' was recorded over 12 days (aha!) in June of 1964, except for 'Little Saint Nick' which had been recorded in October the previous year. It was a big success on its release, reaching number 6 in the US charts. What else would you expect from a band that contained 3 Wilson brothers (Brian, Dennis and Carl), their cousin Mike Love and friend Al Jardine?

The album was released in November 1964 and included 5 original numbers and 7 covers of traditional standards. Brian Wilson took charge on all arrangements for the originals and Dick Reynolds was chosen to manage the arrangements on all the others. The album was laid out, like a lot of the Christmas albums of the time, with the originals on Side One and the re-imaginations on Side Two. That was one of the neat aspects about the vinyl format, 2 different worlds could be created within the environs of one piece of recordable media.

Perhaps the most famous Beach Boys Christmas track is 'Little Saint Nick' and it is that exuberant number that opens the album. It is followed by the equally dashing 'The Man With All The Toys', which was the single that announced the album. It was a big hit on the Christmas charts in 1964 reaching number 3, just like 'Little Saint Nick' had done the year previously. It has a brilliant sense of fun, like your little one who likes nothing better than to be stationed near Santa's sooty entry point every Christmas Eve.

'Santa's Beard' is classic Beach Boys, they may as well be surfin' such is sunniness in which they dispatch their harmonies. It is also very short, at bang on 2 minutes, and before you realise they've switched California for the North Pole they're onto the undeniably wintry 'Merry Christmas, Baby', which brilliantly sets the icy scene for 'Frosty The Snowman'. The Beach Boys give this auld favourite all the trimmings, with stylish orchestration and a giddy vocal delivery that'll have children of all ages aglow in anticipation of snow blanketed scenes.

'Christmas Day' is noteworthy for being the first Beach Boys song to feature a lead vocal from Al Jardine. It is probably the least known of the originals on the album but that doesn't make it any less enjoyable. In fact, with so many wondrous harmonies elsewhere it actually makes for a nice breather to focus on one voice for a change.

The band do a great job with 'We Three Kings Of Orient Are', a song that in the wrong hands can be a little underwhelming. In this case however there are rich orchestral flourishes, wildly inventive brass parts and the Beach Boys in full harmonic mode. A real delight and something that gives this traditional carol a new lease of life. 'Blue Christmas' is about as stripped back as it gets, a lone vocal, a simple musical backdrop, all adding up to one of the best versions of this perennial favourite.

'Santa Claus Is Comin' To Town' is noteworthy for its fun vocals and offbeat musical choices. 'White Christmas' is similarly turned inside-out to deliver a slightly melancholic take on Irving Berlin's composition. 'I'll Be Home For Christmas' continues the slightly downbeat mood but the Beach Boys show themselves as adept at heartwrenching as they do at soundtracking the fun times (and goodness knows they had enough heartbreak in real life to know how it felt). 'Auld Lang Syne' is similarly quiet but is still awash with harmonies and has Dennis Wilson offering the groups wishes for the Christmas season.

There have been a plethora reissues for 'The Beach Boys Christmas Album', the first of which arrived in 1998. Through the years the reformatting of the album has uncovered an alternate take on 'Auld Lang Syne', a pretty drab 'The Lord's Prayer' (which had initially appeared as the b-side to 'Little Saint Nick' the previous year) and the single version of 'Little Saint Nick' which had extra sleigh bells over the other version.

The artwork on 'The Beach Boys' Christmas Album' may well be as twee as they come with all 5 members busying themselves dressing the Christmas tree. It may even be scoffed at now, but then these are the self same boys that recorded one of the best pop albums of time and adorned it with a picture of them feeding a herd of goats ('Pet Sounds'). But, for all the potential giggling nothing can take away from the breathtaking achievement of 'The Beach Boys' Christmas Album'. It remains a monumental piece of work and is one of the finest Christmas albums ever recorded.

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